製造意義:現實主義攝影的話語、權力與文化政治
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● 影像文化學者郭力昕最新攝影批評力作!
● 2018年初版銷售一空後,重新再版!
如果影像的決定性瞬間,從不是現實的決定性瞬間,
照片的意義,是否大於現實的意義?
誰在製造意義?如何製造?
此刻,影像正在爆量生產。郭力昕以兼具細緻理路與坦率火力的批判閱讀,挑戰自八○年代以降台灣「紀實攝影」的古典圖騰,拆解影像裡的權力遊戲,以及我們的攝影如何構建了我們的世界。
《製造意義》是台灣少見的一本針對本土攝影提出批判思辨的論集。長年關注影像文化、以犀利觀點著稱的評論家郭力昕,在本書中以台灣攝影家作品、攝影集與社會現象的案例切入,透過五篇長論,深度解析在台灣脈絡中的「紀實攝影與新聞攝影」自1980年代台灣解嚴前後至今的實踐與變貌。
郭力昕,影像文化評論者、國立政治大學傳播學院教授。
Manufacturing Meaning is a collection of essays critical of Taiwanese realist photography. A critic who has for years devoted his attention on photography culture and well-known for his acute perspectives, Li-Hsin Kuo uses the works of Taiwanese photographers, photo collections and social phenomena as a starting point in this book. In five essays, he provides a profound analysis of the practices and changes to “documentary and journalistic photography” in the Taiwanese context, before and after the lifting of the martial law in the 1980s.
Li-Hsin Kuo, critic of visual culture, PhD in Media and Cultural Studies at Goldsmiths College, University of London, and Professor of the Department of Radio & Television at College of Communication, National Chengchi University, Taiwan.